Reading Notes Uncle Remus and Brer Rabbit- Part A

Uncle Remus and Brer Rabbit by Joel Chandler Harris, with illustrations (1906).

 Joel Chandler Harris, celebrated fiction writer and Georgia newspaperman, was born on December 9, 1848 in the town of Eatonton, Georgia as the illegitimate child of Mary Ann Harris and an Irish laborer. Despite gaining international fame, chiefly due to his animal folktales told through the voice of Uncle Remus, Harris's personal nature was decidedly more reticent. Throughout his life he suffered acute embarrassment due to his short stature, shocking red hair, and severe stammer. While plagued by his insecurities, which no doubt contributed to his frequent refusals to give public readings, Harris was naturally inclined toward humor and practical joking. As a youth he was known for being a clever prankster, a trait that would later manifest itself in the characters of Brer Rabbit, Brer Fox, and the other "creeturs" that populate his Uncle Remus tales.

Harris moved to Turnwold Plantation in 1862, where he was first introduced to the plantation lore that later would inspire his fiction. The thirteen-year-old Harris was apprenticed to Joseph Addison Turner, with whom he worked on his weekly newspaper, The Countryman. Sharing Harris's sharp wit and joking manner, Turner willingly served as his mentor. He also gave the young apprentice access to his expansive collection of books and encouraged him to develop his literary style, so that after only a short tenure at Turnwold, Harris was publishing his own poetry and essays in The Countryman. Yet his most significant experience on the Turnwold Plantation is indisputably the time he spent in the slave quarters listening to African American folktales. These stories provided much of the material for the Uncle Remus tales, and Harris would later model many of his African American characters, including Uncle Remus, Aunt Tempy, 'Tildy, and Daddy Jack, on the storytellers of his youth. Though he would not begin writing his animal folktales for another decade, Harris's work demonstrates his remarkable memory for the stories as well as the nuances of dialect in which they were told.

Turner's newspaper folded in 1866, at which time Harris began the first of a series of newspaper jobs that garnered him wide respect as both a reporter and an editor. He worked in Macon, Georgia, New Orleans, Louisiana, and Forsyth, Georgia, ultimately gaining enough experience to land a position as a regular humor columnist with the Savannah Morning News. He began courting Esther LaRose during this time, and the two were married in 1873; they had nine children together. In 1876, he moved his family to Atlanta where he secured a position with the well-known Constitution, which, under the direction of Henry Grady and Evan Howell, was positioning itself as the New South's most progressive journalistic voice. Between 1876 and 1880, Harris made his own contribution to the newspaper's rising prominence with his sketches of an African American character named Uncle Remus, a shrewd storyteller who reminisces about plantation life in the Old South. In 1879, Harris created Uncle Remus's first animal tale which received such praise that it and subsequent animal tales were printed in newspapers all over the country. In November 1880, D. Appleton published Harris's first collection entitled Uncle Remus, His Songs and His Sayings: The Folklore of the Old Plantation, which sold 7,500 copies in its first month and achieved international acclaim. In 1895, Harris published a revised edition of Songs and Sayings with illustrations by A. B. Frost. He completed eight volumes of Uncle Remus stories in all, two of which were published posthumously. Joel Chandler Harris died on July 3, 1908. In 1955, all 185 tales were collected under the title The Complete Tales of Uncle Remus.

Uncle Remus, His Songs and His Saying includes thirty-four folktales narrated by Uncle Remus, an elderly man living in a cabin on Sally and John Huntington's plantation. His listener is their seven year-old son John, who returns nightly to Uncle Remus's side to hear about the fates of Brer Rabbit, Brer Fox, Brer Wolf, Brer Tarrypin, and fellow animals as they enter into contests, pull pranks, and do their best to outwit each other at every encounter. The tales champion the weaker animals over the stronger ones, and range from playful trickery to violence, abuse, and destruction. Harris never spoke at length on the allegorical dimension of the tales, most likely due to his incapacitating shyness, yet readers and critics alike have noted the parallels to antebellum social hierarchy. Brer Rabbit, who is the central character of the tales, resembles the African archetypal trickster figure. Brer Fox, who presents the greatest threat to Brer Rabbit, is suggestive of the dominant white race. While the majority of the tales are recreated from African fables, brought to the New World by enslaved Africans and shared over generations among enslaved African Americans living in the South, others are derived from European or Native American sources.

Photo provided by: Project Gutenberg

https://www.gutenberg.org/files/22282/22282-h/22282-h.htm